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Giovanni Francischelli

Graduate Teaching Fellow
Doctoral Student
Phone:
Office: 210 Allen Hall
City: Eugene
Research Interests: documentary, cinema, digital media, mass media, political economy of communication, platforms

Biography

Giovanni Francischelli, M.A., is a Brazilian media studies scholar, film producer, and Ph.D. Candidate at the University of Oregon. His research focuses on media democratization, diversity, and counter-hegemonic narratives, with particular interest in the political economy of media and the global cinema, streaming and TV industries. He has produced award-winning feature documentaries and short films that have been screened at major international film festivals, including Sundance, IDFA, and HotDocs. His academic work bridges media policy, audiovisual production, and platform governance, contributing to discussions media regulation, diversity and the broader challenges of democracy in the digital age.

Education

  • 2022-2026 Ph.D. Communication and Media Studies University of Oregon, Eugene, OR USA
  • 2018-2021 M.A. in Communication – University of Sao Paulo, Brazil
  • 2006-2011 B.A. in Social Communication – State University of Campinas, Brazil
  • 2008-2009 Visiting Scholar in Cinema and Audiovisual – University of Paris III, France
 

Publications

Francischelli, G. (2025). Documentary film as parallel epistemology: Brasil Paralelo’s right-wing media production. Dialogues on Digital Society, 1(3), 413-417.

Francischelli, G. (2025). The end of reality: how four billionaires are selling a fantasy future of the Metaverse, Mars, and Crypto: by Jonathan Taplin, New York: PublicAffairs, 2023, 336 pp., $30.00 USD (Hardcover), ISBN: 978-1541701694. Critical Studies in Media Communication, 42(2), 163–164. https://doi.org/10.1080/15295036.2025.2488825

BLOTTA, Vitor & FRANCISCHELLI, Giovanni.  Media convergence and convergent regulation: dynamics and policies of Brazilian audiovisual industry on the internet. EPTIC, v.22, n.3, sep-dec 2020.

FRANCISCHELLI, Giovanni. Regulation and promotion of independent audiovisual production in Brazil: an analysis of the Audiovisual Sector Fund policy. (University of Sao Paulo, 2020)

Teaching

IoR:
JCOM 321: Documentary Film Aesthetics.
JCOM 102/103 - Audio and Visual Storytelling
JCOM 220 - Introduction to Documentary Production Class
JCOM 305  - Media History

GE:
JCOM 301 - Media Ethics (prof. Whitney Phillips)
ANTH 472/428 - Latino Roots  (prof. Gabriela Martinez and prof. Lynn Stephen)
JCOM 211 - Gateway (prof. Emmanuel Maduneme and Shane Burrell)
JCOM 355 - Photojournalism (prof. Will Yurman)
JCOM 220 - Introduction to Documentary Production  (prof. Gabriela Martinez and Prof. Mitchel Block)